A general introduction to Plato's Theory of Forms

Starting out with Schofield's 'standard account' of the origins of the theory of forms, found in Malcolm Schofield's chapter in the Oxford Handbook to Plato, 'Plato in his time and place.'

Various additions are my own.

S Marc Cohen in his notes to the Phaedo schematizes an argument for Forms as follows:

  1. We perceive sensible objects to be F.
    1. Whatever F is: it could be a horse, a human, red, large, hot, pizza, etc.
    2. I think that 'x is F' is shorthand for 'x is a member of the set of instances of F' or 'X has F-ness'
  2. But every sensible object is, at best, imperfectly F. That is, it is both F and not F (in some respect - shades of Heraclitus?). It falls short of being perfectly F.
    1. Sometimes saying how a thing falls short is harder than at other times, but still, nothing sensible lasts forever, and so it is not what it is for all time, it changes.
  3. We are aware of this imperfection in the objects of perception.
  4. So we perceive objects to be imperfectly F.
    1. Or maybe it's that we perceive objects to be perfectly whatever each one perfectly is, but none of them are perfectly F, so why are we even talking about perfectly F?
  5. To perceive something as imperfectly F, one must have in mind something that is perfectly F, something that the imperfectly F things fall short of. (E.g., we have an idea of equality that all sticks, stones, etc., only imperfectly exemplify.)
  6. So we have in mind something that is perfectly F.
    1. But none of the sensible things we perceive is perfectly F.
  7. Thus, there is something that is perfectly F (e.g., Equality), that we have in mind in such cases.
  8. Therefore, there is such a thing as the perfectly F, the F itself (e.g., the Equal itself), and it is distinct from any sensible object.